A framed poster of our first public concert in the USA hangs on my mother’s wall. It’s the only one that survives today.
The CD will soon be available on CDBaby and at all concerts that Robert Bekkers plays on his solo concert tour. Our hope is that it will sell out to enable us to reinvest in arranging more music for piano guitar, collaborate with other enthusiastic music lovers and musicians, and encourage more composers to write for this combination.
The piano and the guitar are rarely heard today as a classical duo. At this concert in December 2007, which has been recorded and released on CD Live in Makawao, you can hear original music written for piano and guitar from the 19th, 20th, and 21st centuries.
While we have to research the origins of the earlier works, we have only to e-mail or speak to the composers in the 21st century.
Haarlem-based guitarist and composer Erik Otte was the first person to write for our duo. He dedicated the 4-part Rio de la Plata to us. With South American influences, the music is about love. The first movement opens with a bang, symbolising a break-up. The fourth movement is very energetic (below).
We invited Amsterdam-based composer Allan Segall to the premiere of Rio de la Plata at the “Mustard Seed” in Santpoort for he could not believe that a piano and guitar could be a feasible duo. After hearing Otte’s piece, Allan stood up and announced that he would write something for us.
Segall’s “When JS Bach, Igor Stravinsky, and the Who Met” is a challenging and terribly exciting piece. It’s extremely demanding to get it together. Segall suggested that we watch “Tommy” to get the feel of the rock musical which is embedded in the piece. It’s the only work in which the guitar overpowers the piano.
Once these pieces were added to our repertoire, we started actively looking for composers to write for our duo. Utrecht-based Henk Alkema wrote “Sailor Talk” on a programmatic subject he knew well for he loves sailing. We premiered it at the Cortona Contemporary Music Festival in 2007.
At the same festival, we played Toronto-based Lan Chee Lam’s “Drizzle.” The Dutch audience especially love this piece — kind of oriental and exotic. Lan Chee is the youngest composer to have written for our duo. She finally came to the Netherlands in January 2010, for the premiere of another work of hers.