Eight years ago, I gave a paper on “house concerts for art music” to economists in love with music in Copenhagen. Today, Groupmuse is one of the grassroot initiatives that intermediates between artists and venue owners to realise such a concept. On Maui, I know of a clarinettist who produces these concerts from his home — always sold out. In and around Utrecht, I know of at least two. What are the issues that confront turning your private space into a concert venue for the public?
After playing the guitar, picking up the ukulele is dead easy. However, the other way around is not so easy. My first and last guitar ensemble experience in the summer of 1998 brought back sweet memories of playing Gaspar Sanz at an annual guitar festival in West Dean, England. If I could do it then, surely I can do it now.