On Saturday November 3rd, 2018, ukulele players that regularly attend ukulele meet-ups in Boston, Arlington, Cambridge, Plainville, Waltham, Somerville, and Dorchester will come to Milton to perform together. These ukulele enthusiasts will provide live music at Eustis Estate, the newest addition to Historic New England, at the Second Annual Blue Hills Great Estate Foliage Weekend in Milton, Massachusetts. The two-day event includes 30-minute landscape tours at 11 am, noon, and 1 pm on the estate’s 80-acres (as well as many outdoor activities like cider making demonstrations, apple crafts, apple tasting.)
One of the most popular songs for beginning ukulele and guitar players is “You Are My Sunshine” which was first recorded in 1939 and has become the official state song of Louisiana. At the minimum, you need three chords to accompany yourself singing. To spice up the harmony accompaniment, you can add minor, sevenths, major sevenths and even a diminished chord. To spice up the rhythm, apply accent (emphasis) and syncopation in your strumming. Watch different versions of videos of this popular song to get ideas for what you can do.
If you travel through the London Underground and hear harp music being played, consider yourself lucky, for you will want to stop and chat with the harpist and buy his CD. Why? He is one of the nicest guys you’ll ever meet. His story will inspire you.
Very little original material has been written for the ukulele, compared to the piano and other instruments. As such, most of the music for the ukulele consists of transcriptions. The journey to make a song sheet work for ukulele groups to read and use is one of reducing and simplifying the musical material to its barebones. After interviewing various transcribers who share their song sheets online for my research, I now share my way of transcribing songs for the ukulele.
A thought occurred to me while playing for the recent half-marathon. We ukulele players shouldn’t be having song breaks when marathon runners don’t. When we are the foreground music, such as a concert or gig, it’s natural to have beginnings and endings. It not only gives us time to flip to the next song sheet but also let the audience react with applause.
For background music or as support for marathons and other races, however, we need to keep going. How does one keep going when the average song length is 3 minutes?
Reading about the legendary London Yiddish Ukulele Group (LYUG) at the Open Mic in the Jewish Museum in London reminded me to write about the way I learned to sing in Yiddish. I learned those Yiddish songs by listening and singing to an audio recording, in the days leading up to the live performance.