Music can soothe, heal, and unite. The song that comes to mind is “Ode to Joy” in Beethoven’s Ninth Symphony. Unlike other symphonies, this one features the human voice. Its power is discussed in the documentary “Following the Ninth” – which I hope to get the link for everyone to watch BEFORE our Sunday global virtual jam session of “Ode to Joy” in its original key. See my blogpost.
Today five virtuoso musicians met for the first time. Quartet San Francisco (QSF) was warming up in Gilman Chapel in Cedar Grove Cemetery. They had just driven up from Rhode Island where they were staying for a string workshop and concert at the university in their concert tour of Rhode Island, Boston, Lexington, and Martha’s Vineyard.
Robert Bekkers, who gave the inaugural concert of this new concert series, walked into the church and shook hands with them. He and Jeremy Cohen, founder and leader of QSF, had corresponded by e-mail after my introduction. One member of my ukulele pluck ensemble had told me about QSF, and after watching their videos, I was hooked.
What a delight and a surprise to see the melodic counterpart to Daniel Ward’s first book “Arpeggio Meditations” — six of which serve as accompaniment to the pieces in his new book “Melodic Meditations.” Like the previous book, each piece is carefully noted and represented in both notation, tablature, chord name (diagram), fingerings for right and left hands.
On a chilly wet spring evening, I fought the drizzle and the descending darkness to get to a church near the bust stop. Jamaica Plain, or JP for short, was dead quiet, save those going into the famous ice cream shop.
I intercepted a young woman in a fluffy pink dress carrying what looked like a ukulele case. Concerned that I might have missed the event entirely, I asked if Bryan Tolentino was still inside. She nodded and pointed at the entrance to the First Baptist Church on Centre Street.
Music education is one of the most expensive investments in time and resource. It requires a serious commitment to reap the benefits of individual music lessons taken over a long period of time (measured in years not months or weeks). Is there another way to acquire musical skills and knowledge?
In the run up to St Patrick’s Day, I was looking for songs suitable for our “Fun with Ukulele” jam session at the local library in Dorchester, Massachusetts (part of Boston). St Patrick’s Day is celebrated like any other big holiday such as Christmas and Fourth of July in Boston. Coincidentally, Austin-based Kevin Carroll had just published “Ukulele Ceilidh: 18 Traditional Celtic Tunes arranged for Ukulele Session Playing.” The 67-page spiral-bound book is an amazing resource for the ukulele player.
The ukulele literature for children is entirely different from that for adults. A picture paints a thousand words. Children’s books have color and pictures. Big fonts. Pictures. Fewer words, Shorter words. Shorter sentences. Landscape orientation. Easier on the eye.
Most newcomers to the ukulele jam scene that’s popping up all over the world use their instruments to accompany themselves singing songs they already know. These strummers may eventually cross to the other side where the instrument becomes the focus of attention. Welcome to the the world of pluckers, also known as fingerstyle playing. As a first step, they may start by reading tablature, where each number indicates the fret to press on the corresponding string.
Classical guitarist and ukulele expert Paul Mansell’s “Classical Uke” contains twenty short pieces transcribed for the beginning ukulele plucker. Easy to sight read and follow, these pieces whet the appetite of any ukulele enthusiast.
In planning the birthday of Chifuru Noda for this evening, I remember visiting him at the hospital in Boston on December 11, 2018. In the semi-darkness, an attendant was asking what he’d like to eat for lunch. His breakfast sat still on the movable trolley, covered and untouched. After she left, I asked if I could eat some of his breakfast. I had no idea what he was about to tell me in the next two hours I spent alone with him.
Who is a non-beginner? Someone who is comfortable with his instrument. Ukulele players , often self-taught or have taken a few beginner workshops, are non-beginners if they already know how to tune, play the basic chords from memory (C, F, G7, Am, C7) and strum instinctively. They know how to read a chord diagram. They know how to look at a song sheet and finger the chords indicated with the lyrics.
What would a “ukulele for the non-beginner / busy adult” course include?