The one time I was proud of my playing as a member of the guitar orchestra and the combined sound we produced was also the one instance that I had forgotten to bring equipment to video or audio record ourselves. The three pieces we played in the concert of 27th April 2018 were much easier than the repertoire of the two previous concerts. I felt in control. I felt like a contributing member of the ensemble. We started and ended at the same time, no extra noises. My only regret was that I did not record it, and we won’t be giving this concert again.
From the reaction of the audience (loud and instant applause after each piece and the prolonged applause at the end; individual compliments after the concert), I gather we didn’t do badly at all. What makes an excellent performance? The first clue, we had an effective rehearsal only four nights earlier.
Continue reading “Effective rehearsal, excellent performance”
Yesterday, the Boston Guitar Orchestra held its first open rehearsal at the Somerville Public Library. I dare take credit for suggesting it to Robert, the conductor and artistic director. Rehearsing in a public space will draw attention to who we are. This idea was born years ago when I proposed to situate new digital pianos from my innovation grant in the library and other places outside the classroom. Visibility raises awareness.
So what was it like to rehearse in the open?
Continue reading “Guitar rehearsal in public library”
Premiering a new work is always a nerve-wracking experience, especially in front of the composer and an unknown public. I’m not sure who has the greater pressure, the composer or the performer, or in this case, the conductor.
On Sunday 18th March 2018, the Boston Festival Guitar Orchestra, made up of several regional guitar ensembles, including Boston Guitar Orchestra, gave the world premiere of Robert Beaser‘s Chaconne, a piece commissioned by the Boston Classical Guitar Society for the New England Guitar Ensemble Festival (NEGEF).
Continue reading “Premiering new work for guitar orchestra: Beaser’s Chaconne”
Sir Roger Moore, who played 007 in seven James Bond movies, has died. The instant I heard the unfortunate news I also heard the James Bond Theme in my head. Continue reading “James Bond Theme for ukulele”
If it weren’t for world premieres, we will never hear the likes of great masterpieces who have passed the test of time. Pianist Nicola Meecham will be premiering solo works of six British composers on Thursday 15th June at the Warehouse Waterloo, a new concert venue in London. Continue reading “Voices of Night and Day – premiere of new solo piano works 15th June London”
Years ago, as a composition student, I was asked to write music to make use of the huge space in St Nicolas Church in Utrecht. Pressed for time, I adapted a piece for baroque recorders and baroque violin. Only at the premiere did I see the greater possibilities of space and movement.
Continue reading “Spatial music: movement and sound in Nicolaikerk”
Part two of Kerry Candaele’s Beethoven trilogy is under way. I pledged $35 for the Kickstarter Project which ends on May 19th, 2016. The way this crowd funding works is that if the goal is not reached, the fundraiser gets nothing. It’s my sincere hope that my friends and readers click on the above link and preview the next film in the making. It’s about Beethoven’s only opera – Fidelio.
Continue reading “College students react to “Following the Ninth””