Tiny Tenor of Romero Creations (mahogany)
This past January, I introduced myself in Joel Katz‘s intermediate ʻukulele class by announcing that I was downsizing from the nine foot grand piano to the less than two foot ʻukulele. People laughed.
Don’t get me wrong. I wasn’t giving up the piano by any means. Rather, I was embracing the ʻukulele. It has my namesake after all: KU in ʻukulele.
In truth, I didn’t know what I was getting into. A few of my music students had shared their love of the instrument. One even gave me a hand-built ʻukulele stand as a parting gift. Eventually I succumbed to my usual thirst for novelty and variety.
Filed under arrangement, articles, communication, culture, economics, instrument, rehearsal, research, review, travel, ukulele, writing
Part two of Kerry Candaele’s Beethoven trilogy is under way. I pledged $35 for the Kickstarter Project which ends on May 19th, 2016. The way this crowd funding works is that if the goal is not reached, the fundraiser gets nothing. It’s my sincere hope that my friends and readers click on the above link and preview the next film in the making. It’s about Beethoven’s only opera – Fidelio.
Microphones on stage are not always used to amplify. They can exist to record.
It’s fairly easy to tell if the sound from a musical instrument is amplified or not. You hear the amplification through speakers.
It sounds different when amplified.
Search for “free concerts in Boston” and you will find a list on the calendar of Boston.com. However, this is only a partial list. Browse the websites of the New England Conservatory, Berklee College of Music, Longy School of Music, Boston Public Library, to name a few, and you will find free concerts nearly every day in this part of New England.
What’s the catch, you say? Why are concerts free?
Filed under audience, composer, composition, concert, culture, economics, instrument, photos, planning, rehearsal, research, review, travel, venues
An orchestra produces music. Why would you need to get music to the orchestra?
The title of Robert Bekkers’ crowd funding project begs attention. He needs to raise enough funds to rent the sheet music of the blind composer Joaquin Rodrigo’s “Concierto de Aranjuez” or the “Aranjuez Guitar Concerto” so that the musicians can read from the score and perform it for his Doctorate of Musical Arts recital at the New England Conservatory (NEC) in Boston on Sunday May 11th, 2014.
Filed under audience, composer, composition, concert, economics, fundraising, guitar, planning, rehearsal, sheet music, sponsorship, travel
A year ago Robert and I put up our house in Utrecht, Netherlands for sale and for rent. We wanted neither, of course. But we were on opposite sides of the earth, 12 time zones apart, dealing with a situation that required us to empty our home and take the first offer. Had we sold it, we’d be closing an important chapter in our lives.
Luckily the first couple who saw the renovated Dutch monument house fell in love with it and offered to rent it.
Whew! We didn’t have to sell it. Thus I never wrote part 2 of my blog: monument house for sale. But we still had to remove everything, including my beloved Steinway.
Now it’s up for rent again.
Available in mid-October 2013 – the entire house plus the garden house behind it.
I wish a musician would rent it — then we would move the 1909 Steinway grand back where it belongs.
The piano room in the Dutch Monument House in Utrecht
From 2006 to 2011, we met our commitments to hold two concerts per year as part of the Monument House Concert Series in that lovely space. The last one on 2nd July 2011, only a day after the first one, was a good-bye to years of music making. I can’t watch the video in the next blog without tears, but I will try to use it in introducing minimalistic music in the “Introduction to Music Literature” class I’m teaching this semester at University of Hawaii Maui College.
For more information: visit Sabbatical Homes