Going to your first ukulele jam session may be a daunting experience if you go alone and don’t expect to know anybody there. Like crashing a stranger’s wedding party, you simply don’t know what to expect. If it’s a small jam session, you will feel like an intruder for it would seem that everyone else knows everybody there, except you. If it’s a large session, you might feel totally invisible and unwelcome.
What can you do to make your first ukulele jam an enjoyable experience?
Continue reading “Your first ukulele jam: do’s and don’ts”
If you are as fanatic about playing the ukulele as I am, getting to and from a jam session could be an issue if the venue is relatively far and inconvenient and if it’s the first time (in case you get lost). If the jam experience is worth it, you’d find an alternative way to get there to make it less painful and arduous. I’m always surprised when seasoned ukulele players drive more than an hour through rush hour to come to our weekly ukulele jam sessions. It’s not always easy to find parking in our area. The first time, they say they are curious. If they come again, it’s a compliment. We’re doing something right.
Continue reading “Getting to and from a ukulele jam session”
What exactly happens in a ukulele jam session?
The word “jam” conjures up images of people playing music together, on different instruments in a frenzy. As ukuleles come in different sizes, they naturally sound different. Often there are complementary instruments such as the cajon, bass guitar, tambourine, kazoo, harmonica, and violin. The word “jam” also sounds loud rather than soft but it doesn’t have to be. Coining the words “jam session” makes it sound more sophisticated than the technical description: a group play and sing along. It’s not karaoke, because it’s not about people taking turns singing on the microphone, rather, everyone plays and sings together. As you may expect, not all jam sessions are the same.
Continue reading “Ukulele jam sessions: what to expect”
Daniel Ward’s 30-page “Arpeggio Meditations for Ukulele” for ukulele players reminds me of the Hanon exercises I played every day as a budding piano player. That’s how I built my technique, after playing the scales and arpeggios in the key I was assigned, I’d play one piece from Hanon for the entire week. This sort of repetitive finger exercise gets you into a trance. However, I daresay, Ward’s music is a lot more interesting and pleasing to the ear than Hanon’s.
Continue reading “Review: Arpeggio Meditations for Ukulele”
At well past our 9:30 pm ending time, we wanted to end our Beatles Carpool Karaoke on a high note rather than a depressing “Hey Jude.”
How about “Obladi Oblada” ? The song in C major is a tad too high for my voice. The original is in Bb major. No wonder.
Continue reading “Obladi Oblada chords”
After spending over an hour working on “Let It Be” and half an hour on “When I’m Sixty-Four” we spent comparatively less time on the remaining three from the 15 songs on the Beatles Carpool Karaoke. While we were familiar with most songs, playing them on the ukulele was another matter.
Our coach showed us how to make an illusively simple three-chord song like “Love Me Do” interesting. It’s sometimes the case that three-chord songs are not necessarily easy to sing or rhythmically easy to play. So far, I’ve compiled more than 60 songs that require only the three chords of C, F, and G. It will be another exercise to play them well.
Continue reading “Love Me Do, another three chord song”
What next, after “Let It Be”?
Can we squeeze in another song from the Beatles Carpool Karaoke before our usual break at half-time?
Jim, the bassist from Jamaica Plain, scrolled through the song list on my iPad with me and spotted something that’s a bit more upbeat.
I said, “How about ‘When I’m Thirty-Four” ?”
Continue reading “When I’m Sixty-Four or 64”