Uku Global is a new company established in Massachusetts, specializing in soprano and concert ukuleles. Below is a review of their soprano ukulele.
All in all, I would say this is a decent introductory instrument.
One of the most popular songs for beginning ukulele and guitar players is “You Are My Sunshine” which was first recorded in 1939 and has become the official state song of Louisiana. At the minimum, you need three chords to accompany yourself singing. To spice up the harmony accompaniment, you can add minor, sevenths, major sevenths and even a diminished chord. To spice up the rhythm, apply accent (emphasis) and syncopation in your strumming. Watch different versions of videos of this popular song to get ideas for what you can do.
A thought occurred to me while playing for the recent half-marathon. We ukulele players shouldn’t be having song breaks when marathon runners don’t. When we are the foreground music, such as a concert or gig, it’s natural to have beginnings and endings. It not only gives us time to flip to the next song sheet but also let the audience react with applause.
For background music or as support for marathons and other races, however, we need to keep going. How does one keep going when the average song length is 3 minutes?
Reading about the legendary London Yiddish Ukulele Group (LYUG) at the Open Mic in the Jewish Museum in London reminded me to write about the way I learned to sing in Yiddish. I learned those Yiddish songs by listening and singing to an audio recording, in the days leading up to the live performance.
Reclaim your voice. Anyone can sing. You don’t need to read music notation. Listen. You can make beautiful music with your voice.
These are the messages of the “natural voice network,” something I read in Caroline Bithell’s well-cited 2014 book “A Different Voice, A Different Song: Reclaiming Community through the Natural Voice and World Song.”
I had to experience it for myself. I googled “natural voice network” and found a website with details of upcoming events. There was a free rehearsal at St Margaret’s House in Bethnal Green. It’s a part of East London I knew well, for I had lived and worked near Victoria Park some thirty years ago.
Now that I’ve been sold on the idea of ukestras and ukestration, I turn to the companion book by the same authors: “The Business of Being a Community Musician.”
In this 58-page e-book, Mark Jackson and Jane Jelbart explain how to set up a business and more importantly, how to stay in business as a community musician. The latter is the reason for writing a business plan, to avoid burn out and financial distress.
Leading a group of ukulele players to play and sing together in front of an audience is quite different from 1) leading a group with whom you’ve been rehearsing for awhile, 2) leading a group without a separate audience listening, and 3) playing in the group as a member and not as a leader of the group. This morning I had the first time experience of leading my West London ukulele group in an outdoor performance at a charity event in Southall. It was a last minute invitation to lead, confirmed only this morning. I didn’t have time to think but made plenty of assumptions.
What did I learn?