On Saturday November 3rd, 2018, ukulele players that regularly attend ukulele meet-ups in Boston, Arlington, Cambridge, Plainville, Waltham, Somerville, and Dorchester will come to Milton to perform together. These ukulele enthusiasts will provide live music at Eustis Estate, the newest addition to Historic New England, at the Second Annual Blue Hills Great Estate Foliage Weekend in Milton, Massachusetts. The two-day event includes 30-minute landscape tours at 11 am, noon, and 1 pm on the estate’s 80-acres (as well as many outdoor activities like cider making demonstrations, apple crafts, apple tasting.)
A thought occurred to me while playing for the recent half-marathon. We ukulele players shouldn’t be having song breaks when marathon runners don’t. When we are the foreground music, such as a concert or gig, it’s natural to have beginnings and endings. It not only gives us time to flip to the next song sheet but also let the audience react with applause.
For background music or as support for marathons and other races, however, we need to keep going. How does one keep going when the average song length is 3 minutes?
Reading about the legendary London Yiddish Ukulele Group (LYUG) at the Open Mic in the Jewish Museum in London reminded me to write about the way I learned to sing in Yiddish. I learned those Yiddish songs by listening and singing to an audio recording, in the days leading up to the live performance.
subtitle: Orchestrating Music Making in Ukulele Groups
After playing in various ukulele groups and starting my own, I had a burning question. “What can we do differently to get more out of our ukulele jam sessions?”
The answer lies in “The Ukestration Manual: Creating Music Making Communities with the Ukulele and Ukestra Method” by Mark Jackson and Jane Jelbart. Continue reading “Review: The Ukestration Manual”
With great expectations since I first received the score in early spring, I looked forward to the second performance of Robert Beaser‘s Chaconne. It’s a new work that I had studied and played in a large guitar orchestra for its premiere in April 2018. This time, Robert Bekkers, the conductor of our Boston Guitar Orchestra, played it with eight other musicians. Knowing that the nine guitarists rehearsed nearly every day of the Boston Guitar Festival confirmed my earlier belief that it was not an easy piece at all.
Hot off the press, Dan “Cool Hand Uke” Scanlan’s new book, lightweight paperback and nicely designed, is full of tips and advice gleaned from the author’s sixty years of playing and teaching the ukulele. In that time period, the author has undoubtedly encountered all sorts of questions, for playing an instrument isn’t just about playing. Adults like to ask questions. It takes an experienced teacher to explain the answers without taxing the brain and intimidating the beginner.
What a great idea to travel down memory lane singing songs you wrote in the different locations of your home town! That’s exactly what Paul McCartney did in Liverpool recently. The 24-minute Youtube video moved me to tears as “Let It Be” did for James Corden, host of “The Late, Late Show” in London.