Or “play, pluck, and party”
Or “jam, jingle, and joviality”
As an ukulele enthusiast, I consider the existence of so-called ukulele clubs a golden perk of playing the ukulele. I don’t know of any clubs for other instrumentalists that welcome beginners to jam with more advanced players. Perhaps barbershop quartets or multi-instrumental jam sessions may allow for that, but how common are they really? The ukulele clubs’ tradition of group playing is a fun way to push myself to learn new chords and expand my repertoire. I can’t think of a better way to combine practice with socialization.
There is a new movement taking place. It’s called “Following the Ninth.” You’ll have to see the 78-minute documentary “Following the Ninth” to know that it’s not just about Beethoven’s last symphony. It’s about how the “Ode to Joy” was used in several world events as a song of solidarity and hope: Tian An Men Square (1989), Fall of the Berlin Wall (1989), Tsunami in Japan (2011), and the Pinochet dictatorship in Chile.
Could crowd-funding be THE way to ensure orchestra concerts happen?
Or more specifically, to get new orchestras started?
Is it possible to start a new orchestra when older, established orchestras are struggling, consolidating, or disappearing?
Search for “free concerts in Boston” and you will find a list on the calendar of Boston.com. However, this is only a partial list. Browse the websites of the New England Conservatory, Berklee College of Music, Longy School of Music, Boston Public Library, to name a few, and you will find free concerts nearly every day in this part of New England.
What’s the catch, you say? Why are concerts free?
Filed under audience, composer, composition, concert, culture, economics, instrument, photos, planning, rehearsal, research, review, travel, venues
Those of you who contributed to Robert Bekkers’ crowd-funding campaign to raise cash for his second doctoral music of arts concert in Boston probably wondered how it went.
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An orchestra produces music. Why would you need to get music to the orchestra?
The title of Robert Bekkers’ crowd funding project begs attention. He needs to raise enough funds to rent the sheet music of the blind composer Joaquin Rodrigo’s “Concierto de Aranjuez” or the “Aranjuez Guitar Concerto” so that the musicians can read from the score and perform it for his Doctorate of Musical Arts recital at the New England Conservatory (NEC) in Boston on Sunday May 11th, 2014.
Filed under audience, composer, composition, concert, economics, fundraising, guitar, planning, rehearsal, sheet music, sponsorship, travel