Tonight I sat in front of the two very large quad speakers and listened to the 74-minute CD.
Why did Robert choose to begin with Johann Nepomuk Hummel’s Potpourri? I turned the volume down as it sounded too loud and aggressive for this time of the evening. What should be the first track on a CD? The best piece to discourage the listener from giving up too early?
Hummel’s Potpourri is a piece originally written for piano and guitar. It was written for performance in the Dukaten Concerts in Vienna. For some reason, we always feel the audience rising with us and eventually a loud applause from the exhaustion of the marathon of opera themes. Perhaps this piece should come later.
The second piece, the Polonoise (Polonaise) from Variations opus 113 (65) exists also for guitar and string quartet. Mauro Giuliani and Johann Nepomuk Hummel performed together and composed the Grand Potpourri National which we will perform in mid-April in the house of an artist. It would be an ideal occasion to release our first CD then.
We have traditionally ended our programs with Giuliani’s Polonoise because it’s so virtuosic and exciting. To hear it as a second piece on our CD seems a little strange.
The third track is the first movement of Torroba’s Sonatina. That’s very nice in the evening, after an aerobics workout, sauna, and light dinner. I began to wonder if we should begin our CD with Torroba.
Even Rodrigo’s Fantasia para Gentilhombre is nice to listen to — in the evening.
Our sound engineer, who recorded our concert in a monastic church in Warmond in late 2008, had said that the third track is usually the best piece, the one you want others to listen to. If that’s the case, then the third movement of Torroba’s Sonatina works well.
We don’t have a title for this CD. Somehow “Bekkers Piano Guitar Duo” is not enough for a title.
How about choosing a title and then the order of the tracks?
For example, “Mediterranean Summer Potpourri” would allow us to order the tracks like a story. Imagine a voyage on a yacht in the Mediterranean.
We started in Madrid last spring, our debut concert in Spain. It makes sense to introduce the CD with works of two Spanish composers: Torroba and Rodrigo. Then we sail east on the Mediterranean to Italy. It’s summer by now, and we play our own arrangement of Vivaldi’s Summer from the Four Seasons. Mauro Giuliani left Italy for Vienna where he met the great concert pianist Hummel. Writing and playing potpourris was a favourite pastime in the 19th century. Incidentally, in his lifetime Hummel was more famous than his teacher — Wolfgang Amadeus Mozart.
I propose a new order for the CD as told by the story above. Robert will need to revisit with our sound engineer. This may delay the CD production. But at least we will have a title.
Mediterranean Summer Potpourri
Rodrigo Fantasia para Gentilhombre:
- Villano y Ricercare
- Españoleta y Fanfare de la Caballería de Nápoles
- Danza de las Hachas
Vivaldi: Summer from the Four Seasons
- Allegro non molto
- Adagio e piano – Presto e forte
Giuliani: Polonoise from Variationen op. 113 (65)
Hummel: Potpourri on famous opera themes