This past January, I introduced myself in Joel Katz‘s intermediate ʻukulele class by announcing that I was downsizing from the nine foot grand piano to the less than two foot ʻukulele. People laughed.
Don’t get me wrong. I wasn’t giving up the piano by any means. Rather, I was embracing the ʻukulele. It has my namesake after all: KU in ʻukulele.
In truth, I didn’t know what I was getting into. A few of my music students had shared their love of the instrument. One even gave me a hand-built ʻukulele stand as a parting gift. Eventually I succumbed to my usual thirst for novelty and variety.
Anne Ku arranges Mozart’s famous Eine Kleine Nacht Musik for easy piano for four different levels, for solo or ensemble playing.
Mozart’s “Little Night Music” was originally written for string ensemble, consisting of string quartet plus an optional bass. I played the quatre-mains version with my classmate Jeff Beaudry one summer at New College, Oxford for a talent contest. We won a bottle of champagne which we shared with the other team at our next bridge game.
Extracts from piano students’ reviews of a concert on the theme of death
After the concert, I asked to be led to the back stage to meet the three musicians of the Morgenstern Trio from Germany. I remarked that the program was not one about “destiny” as the cellist indicated in his speech but one on “death.” I added that it was refreshing to hear serious music — one that was unamplified. Here on Maui, I explained, we hear a lot of “happy” music that’s always amplified. We get a lot of background music, too.
One review took my breath away. It’s not a typical review by any means but one written by a student who writes daily and aspires to write fiction. I’ve received his permission to publish his review in its entirety.
The Germany-based Morgenstern Trio performed at the McCoy Theatre of the Maui Arts and Cultural Center on Friday October 24, 2014. As usual, it was the ONLY classical concert with a piano in it that I knew of, back in August 2014 when the 16-week semester began. As such, I urged my piano students to save the date. Every semester, I require my students to attend an approved concert and write a review. At the end of the term, I extract the best bits, edit, and post a blog here.
One review stood apart from the rest. It’s not a typical review by any means but one written by a student who writes daily and aspires to write fiction. I’ve received his permission to publish his review in its entirety.
Jason Mraz’s “I Won’t Give Up” is a ballad suitable for arpeggio accompaniment, in the key of E major.
Unlike “I’m Yours,” Jason Mraz‘s “I Won’t Give Up” is a ballad, requiring broken instead of block chords. Similar to “I’m Yours” the chord progressions repeat: A/E E | E | A/E E | A/E E | E | Bsus | B |