If we celebrate birthdays, why not one for Mother Earth? Every April 22nd, people all over the world celebrate Earth Day in different ways. While I was living on Maui, I started using music to gather community and raise awareness for sustainability through concerts and jam sessions. It’s a combination of entertainment and education. The last one was my piano class joining forces with the ukulele class (video below). This year, Earth Day falls on Sunday 22nd April 2018, and I’m determined to do something special.
On Saturday 21st April 2018 afternoon, I will be giving five different workshops for complete beginners on the ukulele to get them ready for their first jam session.
On 25th April 2018 evening, my ukulele club in Boston will sing and play songs to do with saving the planet and the environment in our weekly Wednesday jam session.
Continue reading “Earth Day ukulele workshop and jam”
Eight years ago, I gave a paper on “house concerts for art music” to economists in love with music in Copenhagen. Today, Groupmuse is one of the grassroot initiatives that intermediates between artists and venue owners to realise such a concept. On Maui, I know of a clarinettist who produces these concerts from his home — always sold out. In and around Utrecht, I know of at least two. What are the issues that confront turning your private space into a concert venue for the public?
Continue reading “Making private space public”
For some time now, I’ve wanted to start my own ukulele club so that I can craft and steer it the way I like. As I love preparing themed concerts for the piano, why not research, arrange, and organise songs on a theme for ukulele players? By theme, I mean relating to the time of the year (holiday) or current events.
Continue reading “Starting my own ukulele club”
Subtitle: how to plan a group trip to the next Irish ukulele festival
Continue reading “Irish Ukulele Hooley: going with a group”
As a performer, I’m gratified when members of the audience come up to talk to me. Likewise, I never hesitate to introduce myself and talk to musicians whose performances I enjoy. In the latest case, I sent a Facebook text message to the Finnish ukulele band to welcome them to London and express my intention to see their show, before I had even met or heard them.
Continue reading “Uke Vox: form an uke band for a festival”
It doesn’t take long to learn to play a few basic chords on the ukulele and join an uke club to strum, sing, and socialize. No other instrument allows the beginner to practice playing in the relaxed company of others and travel the world with it.
Or “play, pluck, and party”
Or “jam, jingle, and joviality”
As an ukulele enthusiast, I consider the existence of so-called ukulele clubs a golden perk of playing the ukulele. I don’t know of any clubs for other instrumentalists that welcome beginners to jam with more advanced players. Perhaps barbershop quartets or multi-instrumental jam sessions may allow for that, but how common are they really? The ukulele clubs’ tradition of group playing is a fun way to push myself to learn new chords and expand my repertoire. I can’t think of a better way to combine practice with socialization.
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Anne Ku’s Piano Medley on Bach’s Prelude in C from his Well-tempered Clavier is an example of floating different recognizable melodies on top of piano, suitable for voice or violin or flute with a keyboard instrument.
A piece for performance needs to be long enough for the audience to digest. There is such thing as a minimum and optimal length for the listener. Easy piano pieces are often deemed too short. One strategy for beginning piano students to play a piece long enough to satisfy the ear is to combine what they know into a medley.
How does one arrange a medley?
Continue reading “Piano Medley on Bach’s Prelude in C”