A thought occurred to me while playing for the recent half-marathon. We ukulele players shouldn’t be having song breaks when marathon runners don’t. When we are the foreground music, such as a concert or gig, it’s natural to have beginnings and endings. It not only gives us time to flip to the next song sheet but also let the audience react with applause.
For background music or as support for marathons and other races, however, we need to keep going. How does one keep going when the average song length is 3 minutes?
Continue reading “Mash-up, Medley, Marathon”
Anne Ku’s Piano Medley on Bach’s Prelude in C from his Well-tempered Clavier is an example of floating different recognizable melodies on top of piano, suitable for voice or violin or flute with a keyboard instrument.
A piece for performance needs to be long enough for the audience to digest. There is such thing as a minimum and optimal length for the listener. Easy piano pieces are often deemed too short. One strategy for beginning piano students to play a piece long enough to satisfy the ear is to combine what they know into a medley.
How does one arrange a medley?
Continue reading “Piano Medley on Bach’s Prelude in C”