Sunday service at Utrecht’s most famous dome church is a must-experience. There’s more music than church.
This past January, I introduced myself in Joel Katz‘s intermediate ʻukulele class by announcing that I was downsizing from the nine foot grand piano to the less than two foot ʻukulele. People laughed.
Don’t get me wrong. I wasn’t giving up the piano by any means. Rather, I was embracing the ʻukulele. It has my namesake after all: KU in ʻukulele.
In truth, I didn’t know what I was getting into. A few of my music students had shared their love of the instrument. One even gave me a hand-built ʻukulele stand as a parting gift. Eventually I succumbed to my usual thirst for novelty and variety.
Inspired by the 2014 documentary “Alive Inside,” Anne Ku tries to create a playlist for elderly residents by sight-reading popular music from different eras, TV themes, broadway, movies, and the charts.
The 78-minute documentary “Alive Inside” is a fascinating account of the effect of familiar music on eliciting memory in the elderly, awakening them from their otherwise passive state of being. Released in 2014, the film “follows social worker Dan Cohen, founder of the nonprofit organization Music & Memory, as he fights against a broken healthcare system to demonstrate music’s ability to combat memory loss and restore a deep sense of self to those suffering from it.”
Crowd-funding is THE way to go for new orchestras and new concerts for four reasons. Donate to Eureka! Orchestra for their debut concert in Boston.
Could crowd-funding be THE way to ensure orchestra concerts happen?
Or more specifically, to get new orchestras started?
Extracts from piano students’ reviews of a concert on the theme of death
After the concert, I asked to be led to the back stage to meet the three musicians of the Morgenstern Trio from Germany. I remarked that the program was not one about “destiny” as the cellist indicated in his speech but one on “death.” I added that it was refreshing to hear serious music — one that was unamplified. Here on Maui, I explained, we hear a lot of “happy” music that’s always amplified. We get a lot of background music, too.
Watching an art and music improvisation session reminded me of the various collaborations I’ve had with artists in London, Utrecht, Crete, and Brugges. It’s about the process.
As a finishing touch to my recent application for an innovation grant, I asked the Maui-based artist Mike Takemoto if he would consider having his students collaborate with mine. I was thinking along the lines of an exhibit of paintings of musicians, music instruments, or music notes. It would be an extension of the piano ensemble poster exhibit that I “curated” and organized with the photography teacher Harvey Reed and his photo and design students last spring. Such interdisciplinary collaboration raised awareness of the activities we wanted to promote.
Microphones on stage are not always used to amplify. They can exist to record.
It’s fairly easy to tell if the sound from a musical instrument is amplified or not. You hear the amplification through speakers.
It sounds different when amplified.