Music can soothe, heal, and unite. The song that comes to mind is “Ode to Joy” in Beethoven’s Ninth Symphony. Unlike other symphonies, this one features the human voice. Its power is discussed in the documentary “Following the Ninth” – which I hope to get the link for everyone to watch BEFORE our Sunday global virtual jam session of “Ode to Joy” in its original key. See my blogpost.
When musicians meet, they want to play together. They exchange recordings of themselves. Playing together is a way to establish whether they are compatible, whether they want to collaborate, whether there is a future together.
Such was the case when I met a classical guitarist more than seventeen years ago. He copied a recording of his guitar quartet on CD as a takeaway gift.
The next time we met, I brought the only piano guitar piece I owned — an arrangement of Vivaldi’s guitar concerto for guitar and piano. Eager to find more pieces to play, I visited music bookshops in my travel as magazine editor. He arranged music for us to play. Before long, we had collected and arranged enough sheet music to give a concert. Soon composers started writing for our piano guitar duo.
The subtitle of our first concert at the Makawao Union Church in Maui, in December 2007, was “four centuries of music for piano and guitar” —- which comprised of arrangements, original compositions, and commissions. We released the live recording of the concert as a CD in January 2011.
How do ukulele groups approach the task of song selection to serve the dual purpose
of attracting and retaining members and audiences? This question addresses both repertoire development and concert programming.
- Members are those who attend the meet-ups to play ukuleles and/or sing along
- Audiences are those who attend the performances, and may sing along from where they sit or stand but don’t play with the group
Does the responsibility for choosing songs, finding, creating, or altering existing song sheets, making them available online or in print, as links, individual song sheets, compiled songbook, etc rest on one individual such as the leader? Does an official “gig book” or “song book” exist for the group, from which participants call out their choice of song? Or does a new songbook or song list get compiled for each gathering? Alternatively, do participants bring copies of the song sheet of their own choosing to distribute to others?
As usual in our jam sessions, we get bolder and bolder the later it gets. By 9 pm, the ten chords in “Hey Jude” don’t look formidable anymore. How can we sing “Let It Be” and exclude “Hey Jude” the last number in the Beatles Carpool Karaoke? Besides, Paul McCarney sings it in the same key as the song sheet from San Jose Ukulele Club.
I watched “La La Land” with my high school classmate June and two of her children, one of whom delighted in figuring out the songs on the keyboard — by ear.
The tunes from the movie La La Land are catchy and sticky. I daresay all songs are played on the piano, and as such pianists everywhere will feel emboldened to figure out the notes. I am positively sure that one of the songs will get an Oscar. [Feb 27: in fact, this song did win the 2017 Oscar for best song from a movie!] Continue reading “City of Stars from La La Land”
From BEGIN’s Hana to Kina’s Hana, Anne Ku is on a quest for nostalgic songs of Okinawa.
No sooner than finding sheet music to BEGIN’s Hana, my retired Japanese language professor friend in California introduced an even more nostalgic song from Okinawa. It’s also called Hana. The composer is Kina Shoukichi (喜納昌吉).
James Horner’s sudden death rocked the film music industry. Fans of the Titanic theme have arranged it easy versions for piano solo and other instruments, too.
The sudden news of the fatal plane crash of James Horner is rippling through the music and film industries. James R. Horner was a prolific composer of music for film.
As I discover piano transcriptions (also known as piano covers) of his music online, I am reminded that I, too, was once an obsessive fan.
I listened to the love theme from the Titanic over and over again until I configured an arrangement for flute and piano for my friends’ young sons in Northern Virginia in June 1999. Continue reading “Theme from the Titanic for Easy Piano and Flute”