This Sunday 30th September 2018, my ukulele group in West London will be playing for two hours at UK’s number one half-marathon — Ealing Half-Marathon. We will be at the corner of Cuckoo Lane and Greenford Avenue in Hanwell. I missed it last year while transiting in Dublin. What songs will we sing to cheer them on?
“What? I just need to know three chords to play a song?”
“Actually, you can play ‘Frere Jacques’ with just one chord. There are many songs with only two chords. I have identified at least thirty of these.”
I tell my ukulele students that 80% of all songs use only 20% of all chords. I apply the 80-20 rule to many situations, often to help with management of expectations.
So far I have collected over 60 songs that use only C, F, and G or G7 chords. My list of three chord songs that use three other chords, such as Riptide (Am, G, C), is nearly as long. This is wonderful news for beginners.
The only instrument that did not suffer a downturn in sales in London during the recent recession was the ukulele. The person who told me this has been researching ukulele clubs in the U.K. for her doctorate thesis. I have a hunch that it’s like chocolates during difficult times. People still want to reward themselves and feel good. The ukulele is that instrument. Am I right?
Songs about location and history evoke nostalgia to those who have travelled or lived in these places. Long-time Boston residents know the song “Charlie on the MTA” but newcomers are curious:
- Who was Charlie?
- What does MTA stand for?
- Why couldn’t Charlie get off the train?
- Why didn’t his wife give him the money to get off the train rather than throw him a sandwich?
- Is that why the subway card is known as a Charlie Card? Unlike the Oyster Card in London and the OV Chip Card in the Netherlands, you only need to swipe the Charlie Card when you enter the bus, trolley (tram), metro, or commuter rail (i.e. not needed when you exit).
- Is Charlie related to the River Charles that divides Boston and Cambridge, Massachusetts?
It’s a mouthful, but every single word is significant. Today is the official summer solstice in 2018, otherwise known as the longest day of the year. Yesterday, being the Wednesday that my ukulele group meets each week, we gave our first public performance for the senior residents and staff members of a nearby building. Sunset is that magical time when you know the deadline of darkness is approaching, and everything must get done by then. To make it participative, we called our gig a singalong so the audience would be encouraged to join us in the singing. Standish Village is an award-winning assisted senior living residence, housed in a historic landmark building (no. 24 in this document), in Historic Lower Mills, just a short walk from Walter Baker Artists Lofts where we regularly meet to jam (or rehearse).
What’s noteworthy? One person had just learned how to play the ukulele three weeks ago in my crash course, four others had never performed on the ukulele before, and it was our first performance as a group.
There seems to be an inverse correlation between construction and longevity. The longer lasting the song, the simpler you can expect the harmonic and melodic structures to be.
A song I sang as a teenager on long and winding road trips was a riddle in counting backwards from 99 to one. The idea is that the more you drink, the harder it is to count backwards in a group. [Note: Back then, there was no such thing as drinking age, especially on the island of Okinawa!] Add another dimension of modulating it through the major triads based on the twelve notes in a chromatic scale and you will be sure to stay sober!