Piano Music from Movies

Researching for a concert of music from movies requiring setting some constraints.

In anticipation of the 86th Academy Awards this Sunday 2nd March, I’m giving a concert of music specifically written for solo piano for film.

Continue reading “Piano Music from Movies”

Introducing new piano solos

Anne Ku catalogues new piano solo works by living composers on Concertblog

As a sightreader, I am always looking for new challenges, that is, to play new music I have not seen before.  Before I entered the world of composers, I would search for published music of dead composers.

In my musical journey, I discover that the new music (of living composers) is just as interesting if not more. These days, if I come across music of a composer I like, whether it’s ensemble music or piano guitar duo, I’d ask if he or she had written anything for piano solo or piano duet. Similarly — vice versa.

Below is a catalogue of the piano solo works I have reviewed and introduced on Concertblog. I will continue to add to this list, arranged alphabetically by the composer’s last name.

Prelude and Fuga in d minor by H. Verleur

Heleen Verleur’s Prelude and Fugue in D minor for solo piano brought back memories of Anne Ku’s first concert in Bussum, Netherlands. More than 10 years later, she records it on her Steinway in Utrecht, Netherlands while remembering it in Maui.

Before I left the Netherlands, I recorded a CD of three piano duets with Carol Ruiz Gandia for my Call for Scores project followed by several solo pieces that were easy to sightread. Three of the solos came from my collection of music by the Amsterdam-based composer Heleen Verleur.

What a joy it was to find Verleur’s Prelude and Fugue in D minor on my bookshelf! Sightreading the set brought back memories of my first concert in Bussum, Netherlands in March 2002. Back then, I was still working full-time as an energy magazine editor, shuffling between London where I was based to the New York head office and various conference locations. Music was a pastime, a favourite hobby, and an insatiable passion.

If you visit our Bekkers Piano Guitar Duo website, you’ll see that the very first concert is listed in 2002, a year after I met Dutch guitarist Robert Bekkers. That “afternoon of diversity” concert in a Lutheran church in the town of Bussum (east of Amsterdam) featured the music of Heleen Verleur for piano solo and piano and violin as well as that of Astor Piazzolla. In preparing for that concert, I wrote of my expectations of that event where the guest of honour was my childhood friend Leslie from Seattle.

More than 10 years after I met Robert Bekkers and Heleen Verleur in Amsterdam, I would like to share my interpretation of the prelude and fugue, recorded on 4th August 2011 on my 1909 New York Steinway in Utrecht, Netherlands.

Prelude in d minor by Heleen Verleur, interpreted by Anne Ku (mp3)

Prelude in d minor by Heleen Verleur
Prelude in d minor by Heleen Verleur

Fuga in d minor by Heleen Verleur, interpreted by Anne Ku (mp3)

Fuga in d minor by Heleen Verleur
Fuga in d minor by Heleen Verleur

When I searched for “Verleur” on my e-mail programme, I discovered several e-mails of mp3 and concert announcements from Heleen. Now that I have more time in Hawaii, I hope to listen to this backlog of gifts of music, including CDs I received from various composers and performers. You could say that forthcoming entries in this Concertblog will introduce the music I have been collecting during the last 10 years of concertizing and arts management in the Netherlands.

Heleen Verleur official website: http://www.heleenverleur.nl

Easy to play, nice to listen to: piano music of Heleen Verleur

Music that is easy to play and nice to listen to characterises the solo piano works of Amsterdam-based composer Heleen Verleur. Daniel’s Song is an example, played and recorded by Anne Ku in Utrecht, Netherlands.

During my 2.5 months in Utrecht, Netherlands this past summer, I took out sheet music I had collected for years to choose ones worth taking with me to Maui. Some of these pieces were so enjoyable to play that I decided to record them.

I was searching for music that’s easy to play and nice to listen to.

Contrary to what you may believe, it’s not easy to write music that is easy to play. It’s harder still to write music that’s nice to listen to but not boring after the first time. Good music, I sincerely believe, gets appreciated each time it’s played. It grows on you.

Amsterdam-based composer Heleen Verleur is a pianist and piano teacher who has the benefit of observing how her students read and study her compositions. She has written numerous solo and chamber works that involve the piano. I was fortunate to discover her music quite early in what-I-now-call my Dutch era — a decade of infatuation with the Netherlands.

I performed her Prelude in d minor and fugue at a concert in Bussum, a village east of Amsterdam, in 2002. I had also introduced her Tango for violin, cello, and piano to my house concert in London and her piano duets to the Monument House Concert Series and a sightreading workshop prior to our piano guitar duo concert in San Francisco. Heleen has also written “Fire” for our piano guitar duo, which we premiered in Spain in 2010.

Anne Ku with Heleen Verleur, sightreading duets in Amsterdam, 2001
Anne Ku with Heleen Verleur, sightreading duets in Amsterdam, 2001

In the “V” section of my music library, I discovered yet more short works for solo piano that she had given me.

“Daniel’s Song” met my criteria of easy to play and nice to listen to. I decided to record it on my Steinway.

Daniel’s Song for solo piano by Heleen Verleur (mp3)

Daniel's Song by Heleen Verleur
Daniel's Song by Heleen Verleur