Getting to and from a ukulele jam session

If you are as fanatic about playing the ukulele as I am, getting to and from a jam session could be an issue if the venue is relatively far and inconvenient and if it’s the first time (in case you get lost). If the jam experience is worth it, you’d find an alternative way to get there to make it less painful and arduous. I’m always surprised when seasoned ukulele players drive more than an hour through rush hour to come to our weekly ukulele jam sessions. It’s not always easy to find parking in our area. The first time, they say they are curious. If they come again, it’s a compliment. We’re doing something right.

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Ukulele jam sessions: what to expect

What exactly happens in a ukulele jam session?

The word “jam” conjures up images of people playing music together, on different instruments in a frenzy. As ukuleles come in different sizes, they naturally sound different. Often there are complementary instruments such as the cajon, bass guitar, tambourine, kazoo, harmonica, and violin. The word “jam” also sounds loud rather than soft but it doesn’t have to be. Coining the words “jam session” makes it sound more sophisticated than the technical description: a group play and sing along. It’s not karaoke, because it’s not about people taking turns singing on the microphone, rather, everyone plays and sings together. As you may expect, not all jam sessions are the same.

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Ukulele repertoire: song selection for ukulele groups and clubs

How do ukulele groups approach the task of song selection to serve the dual purpose
of attracting and retaining members and audiences? This question addresses both repertoire development and concert programming.

  1. Members are those who attend the meet-ups to play ukuleles and/or sing along
  2. Audiences are those who attend the performances, and may sing along from where they sit or stand but don’t play with the group

Does the responsibility for choosing songs, finding, creating, or altering existing song sheets, making them available online or in print, as links, individual song sheets, compiled songbook, etc rest on one individual such as the leader?  Does an official “gig book” or “song book” exist for the group, from which participants call out their choice of song? Or does a new songbook or song list get compiled for each gathering? Alternatively, do participants bring copies of the song sheet of their own choosing to distribute to others?

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Hey Jude on ukulele

As usual in our jam sessions, we get bolder and bolder the later it gets. By 9 pm, the ten chords in “Hey Jude” don’t look formidable anymore. How can we sing “Let It Be” and exclude “Hey Jude” the last number in the Beatles Carpool Karaoke? Besides, Paul McCarney sings it in the same key as the song sheet from San Jose Ukulele Club.

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Love Me Do, another three chord song

After spending over an hour working on “Let It Be” and half an hour on “When I’m Sixty-Four” we spent comparatively less time on the remaining three from the 15 songs on the Beatles Carpool Karaoke. While we were familiar with most songs, playing them on the ukulele was another matter.

Our coach showed us how to make an illusively simple three-chord song like “Love Me Do” interesting. It’s sometimes the case that three-chord songs are not necessarily easy to sing or rhythmically easy to play. So far, I’ve compiled more than 60 songs that require only the three chords of C, F, and G. It will be another exercise to play them well.

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Let it be real good

As usual, I began our 7 o’clock ukulele jam session with an easy song, one that everyone knows with few easy chords. This being the Beatles Carpool Karaoke, I chose “Let It Be,” using  San Jose Ukulele Club’s version in the original key of C major, with just four chords, rather than the G-major transposition with nine chords in the version in Richard G’s Songbook.

What can you do with “Let It Be” if you already know it very well?

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From ukulele jam to gig

Also known as “from participation to presentation

Getting together to play music together is akin to everyone chatting musically at the same time. In my ukulele jam sessions, we accompany ourselves on our ukuleles to songs we pretty much know how to sing already. It may seem like sight reading, for we don’t usually practice or know what we will be doing beforehand. In one two-hour jam session, we could go through as many as thirty songs without a break.

There is a subtle difference between a jam and a gig. While there may be onlookers watching and hearing us from the sidelines, we aren’t playing to an audience other than ourselves. A jam session is participatory music making, where everyone is participating by singing and or playing. A gig, on the other hand, is presentational where we play to an audience.

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