Recording our first CD (part 2: track order)

How to choose the order of tracks on a CD recording? First decide on a title and then find a story to tell.

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Tonight I sat in front of the two very large quad speakers and listened to the 74-minute CD.

Reception of the Monument House Utrecht with the quad speakers
Reception of the Monument House Utrecht with the quad speakers

Why did Robert choose to begin with Johann Nepomuk Hummel’s Potpourri? I turned the volume down as it sounded too loud and aggressive for this time of the evening. What should be the first track on a CD? The best piece to discourage the listener from giving up too early?

Hummel’s Potpourri is a piece originally written for piano and guitar. It was written for performance in the Dukaten Concerts in Vienna. For some reason, we always feel the audience rising with us and eventually a loud applause from the exhaustion of the marathon of opera themes. Perhaps this piece should come later.

The second piece, the Polonoise (Polonaise) from Variations opus 113 (65) exists also for guitar and string quartet. Mauro Giuliani and Johann Nepomuk Hummel performed together and composed the Grand Potpourri National which we will perform in mid-April in the house of an artist. It would be an ideal occasion to release our first CD then.

We have traditionally ended our programs with Giuliani’s Polonoise because it’s so virtuosic and exciting. To hear it as a second piece on our CD seems a little strange.

The third track is the first movement of Torroba’s Sonatina. That’s very nice in the evening, after an aerobics workout, sauna, and light dinner. I began to wonder if we should begin our CD with Torroba.

Even Rodrigo’s Fantasia para Gentilhombre is nice to listen to — in the evening.

Our sound engineer, who recorded our concert in a monastic church in Warmond in late 2008, had said that the third track is usually the best piece, the one you want others to listen to. If that’s the case, then the third movement of Torroba’s Sonatina works well.

We don’t have a title for this CD. Somehow “Bekkers Piano Guitar Duo” is not enough for a title.

How about choosing a title and then the order of the tracks?

For example, “Mediterranean Summer Potpourri” would allow us to order the tracks like a story. Imagine a voyage on a yacht in the Mediterranean.

We started in Madrid last spring, our debut concert in Spain. It makes sense to introduce the CD with works of two Spanish composers: Torroba and Rodrigo. Then we sail east on the Mediterranean to Italy. It’s summer by now, and we play our own arrangement of Vivaldi’s Summer from the Four Seasons. Mauro Giuliani left Italy for Vienna where he met the great concert pianist Hummel. Writing and playing potpourris was a favourite pastime in the 19th century. Incidentally, in his lifetime Hummel was more famous than his teacher — Wolfgang Amadeus Mozart.

I propose a new order for the CD as told by the story above. Robert will need to revisit with our sound engineer. This may delay the CD production. But at least we will have a title.

Mediterranean Summer Potpourri

14 tracks

Rodrigo Fantasia para Gentilhombre:

  1. Villano y Ricercare
  2. Españoleta y Fanfare de la Caballería de Nápoles
  3. Danza de las Hachas
  4. Canario

Torroba: Sonatina

  1. Allegretto
  2. Andante
  3. Allegro

Vivaldi: Summer from the Four Seasons

  1. Allegro non molto
  2. Adagio e piano – Presto e forte
  3. Presto

Giuliani: Polonoise from Variationen op. 113 (65)

Hummel: Potpourri on famous opera themes

Mozart: Eine Kleine Nachtmusik (LIVE)

  1. Allegro
  2. Romanza

A Mediterranean Summer on 12 September

The “Mediterranean Summer” programme is part of the larger traditional programme we’ve performed throughout the Netherlands and three times in Spain. This Saturday we will give it away for free in a 600-year old building in central Utrecht: the Academiegebouw at 13:00.

Our Mediterranean Summer began in May with Spain and ended in August with Crete. It was a summer full of sunshine, beaches, fresh octopus and shellfish, new friendship, and cross-cultural collaborations. 

The “Mediterranean Summer” programme is part of the larger traditional programme we’ve performed throughout the Netherlands and three times in Spain. This Saturday we will give it away for free in a 600-year old building in central Utrecht: the Academiegebouw at 13:00. 

Dare we conclude our summer in Paleochora, Crete, the last week of August? I certainly hope not, for I have already booked a flight to Italy for mid-October, to stretch the summer in the Mediterranean just a wee bit longer.

The last sunset in Paleochora, Crete, August 2009
The last sunset in Paleochora, Crete, August 2009

“A Mediterranean Summer” concert programme

Sonatina
Federico Moreno Torroba (1891 – 1982)
Allegretto
Andante
Allegro

Fantasia para un Gentilhombre (1954) (complete guitar concerto!)
Joaquín Rodrigo (1901 – 1999)
Villano y Ricercare
Españoleta y Fanfare de la Caballería de Nápoles
Danza de las Hachas
Canario


Asturias (Leyenda)

Isaac Albeniz (1860-1909)
guitar solo

Summer from The Four Seasons
Antonio Vivaldi (1678 – 1741)
Allegro non molto arr. R. Bekkers (2008)
Adagio e piano – Presto e forte
Presto

Walking through a misty shower on the strand in Paris, August 2009
Walking through a misty shower on the strand in Paris, August 2009

In between Spain and Crete, we ventured into Paris for some inspiration. The modern art exhibition at the Pompidou Centre got us thinking about contemporary music. Why doesn’t the music of live composers attract the large crowds that pour into contemporary art galleries?