Last evening I watched Luc Besson’s “The Lady” at the Maui Film Festival. I had read about Aung San Suu Kyi over the years but never quite understood why she was kept under house arrest in Burma and separated from her family in Oxford. The movie educated me to her cause and touched me greatly. I was particularly moved by her son Alexander Aris’ acceptance speech of the Nobel prize on her behalf.
The two classical pieces of music were played twice. Mozart’s piano concerto and Pachelbel’s Canon in D will now take on a new meaning for me. As I have been collecting different arrangements of the latter, which suffice material for a separate blog, allow me to indulge in Mozart.
The second movement of Mozart’s piano concerto number 23 (also known as the Adagio from K488) played by soloist Maurizio Pollini was poignant and at the tempo I preferred. I had heard it on a CD broadcasted at my late composition teacher’s funeral this past August and thought it too fast. If you haven’t heard of this concerto, compare the faster version of Horowitz with the slower of Pollini. See how the tempo affects the mood.
My duo has played our own arrangement on various occasions. The piano is the solo, accompanied by the guitar as orchestra. It’s one of my favourite slow movements of piano concertos. We’re always arguing over the right tempo for this piece. Note: Scores for full-orchestra, 2-piano version, and 4-hand duet can be downloaded for free from the Petrucci Library.
In the context of the movie, Mozart’s Adagio conveyed sadness and death. Earlier in the movie The New World, it conveyed one of unrequited love. For me, it will always be a beautiful work — one that can be played as a piano solo.