The tunes from the movie La La Land are catchy and sticky. I daresay all songs are played on the piano, and as such pianists everywhere will feel emboldened to figure out the notes. I am positively sure that one of the songs will get an Oscar. [Feb 27: in fact, this song did win the 2017 Oscar for best song from a movie!] Continue reading
A trained soprano approached me recently about adapting a famous Buddhist song, arranged for four-part voice, for a 45-person amateur choir, pianist, cello, and saxophone. Continue reading
Years ago, as a composition student, I was asked to write music to make use of the huge space in St Nicolas Church in Utrecht. Pressed for time, I adapted a piece for baroque recorders and baroque violin. Only at the premiere did I see the greater possibilities of space and movement.
This past January, I introduced myself in Joel Katz‘s intermediate ʻukulele class by announcing that I was downsizing from the nine foot grand piano to the less than two foot ʻukulele. People laughed.
Don’t get me wrong. I wasn’t giving up the piano by any means. Rather, I was embracing the ʻukulele. It has my namesake after all: KU in ʻukulele.
In truth, I didn’t know what I was getting into. A few of my music students had shared their love of the instrument. One even gave me a hand-built ʻukulele stand as a parting gift. Eventually I succumbed to my usual thirst for novelty and variety.
Part two of Kerry Candaele’s Beethoven trilogy is under way. I pledged $35 for the Kickstarter Project which ends on May 19th, 2016. The way this crowd funding works is that if the goal is not reached, the fundraiser gets nothing. It’s my sincere hope that my friends and readers click on the above link and preview the next film in the making. It’s about Beethoven’s only opera – Fidelio.
2015 is a year many Sinatra lovers will celebrate with songs that he made famous. One of these is a favorite among my piano students. Each year, a new pianist will ask to play “Fly Me to the Moon.”