In the run up to St Patrick’s Day, I was looking for songs suitable for our “Fun with Ukulele” jam session at the local library in Dorchester, Massachusetts (part of Boston). St Patrick’s Day is celebrated like any other big holiday such as Christmas and Fourth of July in Boston. Coincidentally, Austin-based Kevin Carroll had just published “Ukulele Ceilidh: 18 Traditional Celtic Tunes arranged for Ukulele Session Playing.” The 67-page spiral-bound book is an amazing resource for the ukulele player.
The ukulele literature for children is entirely different from that for adults. A picture paints a thousand words. Children’s books have color and pictures. Big fonts. Pictures. Fewer words, Shorter words. Shorter sentences. Landscape orientation. Easier on the eye.
Most newcomers to the ukulele jam scene that’s popping up all over the world use their instruments to accompany themselves singing songs they already know. These strummers may eventually cross to the other side where the instrument becomes the focus of attention. Welcome to the the world of pluckers, also known as fingerstyle playing. As a first step, they may start by reading tablature, where each number indicates the fret to press on the corresponding string.
Classical guitarist and ukulele expert Paul Mansell’s “Classical Uke” contains twenty short pieces transcribed for the beginning ukulele plucker. Easy to sight read and follow, these pieces whet the appetite of any ukulele enthusiast.
Reclaim your voice. Anyone can sing. You don’t need to read music notation. Listen. You can make beautiful music with your voice.
These are the messages of the “natural voice network,” something I read in Caroline Bithell’s well-cited 2014 book “A Different Voice, A Different Song: Reclaiming Community through the Natural Voice and World Song.”
I had to experience it for myself. I googled “natural voice network” and found a website with details of upcoming events. There was a free rehearsal at St Margaret’s House in Bethnal Green. It’s a part of East London I knew well, for I had lived and worked near Victoria Park some thirty years ago.
Daniel Ward’s 30-page “Arpeggio Meditations for Ukulele” for ukulele players reminds me of the Hanon exercises I played every day as a budding piano player. That’s how I built my technique, after playing the scales and arpeggios in the key I was assigned, I’d play one piece from Hanon for the entire week. This sort of repetitive finger exercise gets you into a trance. However, I daresay, Ward’s music is a lot more interesting and pleasing to the ear than Hanon’s.
Hot off the press, Dan “Cool Hand Uke” Scanlan’s new book, lightweight paperback and nicely designed, is full of tips and advice gleaned from the author’s sixty years of playing and teaching the ukulele. In that time period, the author has undoubtedly encountered all sorts of questions, for playing an instrument isn’t just about playing. Adults like to ask questions. It takes an experienced teacher to explain the answers without taxing the brain and intimidating the beginner.