Leading a group of ukulele players to play and sing together in front of an audience is quite different from 1) leading a group with whom you’ve been rehearsing for awhile, 2) leading a group without a separate audience listening, and 3) playing in the group as a member and not as a leader of the group. This morning I had the first time experience of leading my West London ukulele group in an outdoor performance at a charity event in Southall. It was a last minute invitation to lead, confirmed only this morning. I didn’t have time to think but made plenty of assumptions.
What did I learn?
Continue reading “Leading a ukulele group performance”
On my first day of taking the intermediate ukulele course in Hawaii, I was surprised to witness the entire class playing and singing along. We were sight reading and sight singing, skills that take years to master for musicians.
That morning at Maui College in January 2016, all we had in front of us was a single sheet of paper that contained the lyrics, chord names, and chord diagrams. No music notation. No Italian words about tempo and dynamics in italic. No tablature. No abbreviations. No other music symbols. How could a single sheet of paper with minimal information guide music making?
Continue reading “Song sheets: the barebones to guide music making”
How do you make a song last longer and sound more interesting? I call it the three-minute rule. A song needs to last at least three minutes for it to register in the listener’s ears. That’s my rule, after testing my audiences in a variety of settings. A short piece simply doesn’t register. How to you prolong and add variety to a song? This happens often in our ukulele jam sessions, in which we prepare for our gigs. Here are some ideas for all songs, whether you accompany with ukulele, guitar, or piano.
Continue reading “Ukulele song sheets: prolong & add variety to a song”
Songs about location and history evoke nostalgia to those who have travelled or lived in these places. Long-time Boston residents know the song “Charlie on the MTA” but newcomers are curious:
- Who was Charlie?
- What does MTA stand for?
- Why couldn’t Charlie get off the train?
- Why didn’t his wife give him the money to get off the train rather than throw him a sandwich?
- Is that why the subway card is known as a Charlie Card? Unlike the Oyster Card in London and the OV Chip Card in the Netherlands, you only need to swipe the Charlie Card when you enter the bus, trolley (tram), metro, or commuter rail (i.e. not needed when you exit).
- Is Charlie related to the River Charles that divides Boston and Cambridge, Massachusetts?
Continue reading “Songs of location and history: Charlie on the MTA”
There seems to be an inverse correlation between construction and longevity. The longer lasting the song, the simpler you can expect the harmonic and melodic structures to be.
A song I sang as a teenager on long and winding road trips was a riddle in counting backwards from 99 to one. The idea is that the more you drink, the harder it is to count backwards in a group. [Note: Back then, there was no such thing as drinking age, especially on the island of Okinawa!] Add another dimension of modulating it through the major triads based on the twelve notes in a chromatic scale and you will be sure to stay sober!
Continue reading “99 Bottles of Beer on the Wall and counting”
A trained soprano approached me recently about adapting a famous Buddhist song, arranged for four-part voice, for a 45-person amateur choir, pianist, cello, and saxophone. Continue reading “Case Study: adapting music for amateur choir”
There are many kinds of sheet music for the popular Chinese song Dan Yuan Ren Chang Jiu sung at Mid-Autumn Festival.
When I asked my mom to select songs made popular by the late Teresa Teng besides my favorite Ni Ze Me Shuo, she mentioned Dan Yuan Ren Chang Jiu. On the night of the super blood moon and lunar eclipse, I learned of its significance. The lyrics come from a famous poem by Su Shi, also known as Su Dong Po. The song is associated with the Mid Autumn Festival, which is celebrated on the 15th day of the 8th lunar month. For 2015, it’s Sunday September 27th.
Continue reading “Chinese Mid-Autumn Festival poem and song: dan yuan ren chang jiu”