Years ago, as a composition student, I was asked to write music to make use of the huge space in St Nicolas Church in Utrecht. Pressed for time, I adapted a piece for baroque recorders and baroque violin. Only at the premiere did I see the greater possibilities of space and movement.
This past January, I introduced myself in Joel Katz‘s intermediate ʻukulele class by announcing that I was downsizing from the nine foot grand piano to the less than two foot ʻukulele. People laughed.
Don’t get me wrong. I wasn’t giving up the piano by any means. Rather, I was embracing the ʻukulele. It has my namesake after all: KU in ʻukulele.
In truth, I didn’t know what I was getting into. A few of my music students had shared their love of the instrument. One even gave me a hand-built ʻukulele stand as a parting gift. Eventually I succumbed to my usual thirst for novelty and variety.
Part two of Kerry Candaele’s Beethoven trilogy is under way. I pledged $35 for the Kickstarter Project which ends on May 19th, 2016. The way this crowd funding works is that if the goal is not reached, the fundraiser gets nothing. It’s my sincere hope that my friends and readers click on the above link and preview the next film in the making. It’s about Beethoven’s only opera – Fidelio.
2015 is a year many Sinatra lovers will celebrate with songs that he made famous. One of these is a favorite among my piano students. Each year, a new pianist will ask to play “Fly Me to the Moon.”
When I asked my mom to select songs made popular by the late Teresa Teng besides my favorite Ni Ze Me Shuo, she mentioned Dan Yuan Ren Chang Jiu. On the night of the super blood moon and lunar eclipse, I learned of its significance. The lyrics come from a famous poem by Su Shi, also known as Su Dong Po. The song is associated with the Mid Autumn Festival, which is celebrated on the 15th day of the 8th lunar month. For 2015, it’s Sunday September 27th.