Bryan Tolentino workshop and concert in Boston

On a chilly wet spring evening, I fought the drizzle and the descending darkness to get to a church near the bust stop. Jamaica Plain, or JP for short, was dead quiet, save those going into the famous ice cream shop.

I intercepted a young woman in a fluffy pink dress carrying what looked like a ukulele case. Concerned that I might have missed the event entirely, I asked if Bryan Tolentino was still inside. She nodded and pointed at the entrance to the First Baptist Church on Centre Street.

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Ukulele for the non-beginner

Who is a non-beginner? Someone who is comfortable with his instrument. Ukulele players , often self-taught or have taken a few beginner workshops, are non-beginners if they already know how to tune, play the basic chords from memory (C, F, G7, Am, C7) and strum instinctively. They know how to read a chord diagram. They know how to look at a song sheet and finger the chords indicated with the lyrics.

What would a “ukulele for the non-beginner / busy adult” course include?

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Successful business models in music

How do you make money in music? To understand how musicians make money, I turn to successful business models. My paternal grandfather made a living teaching English. Teaching music is one of several ways to earn a living in music.

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Introducing ukulele groups in Massachusetts at Eustis Estate

On Saturday November 3rd, 2018, ukulele players that regularly attend ukulele meet-ups in Boston, Arlington, Cambridge, Plainville, Waltham, Somerville, and Dorchester will come to Milton to perform together. These ukulele enthusiasts will provide live music at Eustis Estate, the newest addition to Historic New England, at the  Second Annual Blue Hills Great Estate Foliage Weekend in Milton, Massachusetts. The two-day event includes 30-minute landscape tours at 11 am, noon, and 1 pm on the estate’s 80-acres (as well as many outdoor activities like cider making demonstrations, apple crafts, apple tasting.)

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Eustis Estate (1875 – present) at 1424 Canton Avenue, Milton , MA

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Live music underground in London

If you  travel through the London Underground and hear harp music being played, consider yourself lucky, for you will want to stop and chat with the harpist and buy his CD. Why? He is one of the nicest guys you’ll ever meet. His story will inspire you.

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Guitar meets piano; guitar orchestra & ukulele club

When musicians meet, they want to play together. They exchange recordings of themselves. Playing together is a way to establish whether they are compatible, whether they want to collaborate, whether there is a future together.

Such was the case when I met a classical guitarist more than seventeen years ago. He copied a recording of his guitar quartet on CD as a takeaway gift.

The next time we met, I brought the only piano guitar piece I owned — an arrangement of Vivaldi’s guitar concerto for guitar and piano. Eager to find more pieces to play, I visited music bookshops in my travel as magazine editor. He arranged music for us to play. Before long, we had collected and arranged enough sheet music to give a concert. Soon composers started writing for our piano guitar duo.

The subtitle of our first concert at the Makawao Union Church in Maui, in December 2007, was “four centuries of music for piano and guitar” —- which comprised of arrangements, original compositions, and commissions. We released the live recording of the concert as a CD in January 2011.

Nearly two decades later, the guitarist is conductor of a guitar orchestra while I have founded my own ukulele group. How do we combine the two? Is it possible?

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Ukulele gig at Kew Village Market

It’s hard to focus when the smell of chicken and sausages grilling outdoors reminds you that you haven’t had lunch. We are playing two sets under a big yellow tent next to Kew Gardens Rail Station. It’s the second time I’m playing with the Hanwell Ukulele Group (HUG) at Kew Village Market. The famous Kew Gardens is nearby. I am wearing a blue Hawaiian dress over a white T-shirt, hiding behind a row of tall English guys.

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