It’s a mouthful, but every single word is significant. Today is the official summer solstice in 2018, otherwise known as the longest day of the year. Yesterday, being the Wednesday that my ukulele group meets each week, we gave our first public performance for the senior residents and staff members of a nearby building. Sunset is that magical time when you know the deadline of darkness is approaching, and everything must get done by then. To make it participative, we called our gig a singalong so the audience would be encouraged to join us in the singing. Standish Village is an award-winning assisted senior living residence, housed in a historic landmark building (no. 24 in this document), in Historic Lower Mills, just a short walk from Walter Baker Artists Lofts where we regularly meet to jam (or rehearse).
What’s noteworthy? One person had just learned how to play the ukulele three weeks ago in my crash course, four others had never performed on the ukulele before, and it was our first performance as a group.
Continue reading “Summer Solstice Sunset Singalong at Standish Village”
The first time I saw the name of the festival “Ukulele Melee” I thought there was a typo or misspelling. I knew that “mele” was the word for music in Hawaiian. What then was “melee”?
“Melee” means a confused fight or mass of people, a word that originated from 1640 French mêlée and Old French meslee meaning “brawl, confused fight; mixture, blend.” It wasn’t until the one-hour drive to the festival in Hamilton, Massachusetts that morning of Friday 27th April that I learned the origins of the festival name.
Continue reading “Ukulele Melee 2018”
Eight years ago, I gave a paper on “house concerts for art music” to economists in love with music in Copenhagen. Today, Groupmuse is one of the grassroot initiatives that intermediates between artists and venue owners to realise such a concept. On Maui, I know of a clarinettist who produces these concerts from his home — always sold out. In and around Utrecht, I know of at least two. What are the issues that confront turning your private space into a concert venue for the public?
Continue reading “Making private space public”
The 2017 theme for the annual Hanwell Carnival in London is Blues Brothers. I have my sunglasses and just need to borrow a man’s jacket, a thin tie, and a black hat. I can’t wait to join the Hanwell Ukulele Group (HUG) to strum and sing together on a float in the parade.
Continue reading “Ukulele for Blues Brothers”
It doesn’t take long to learn to play a few basic chords on the ukulele and join an uke club to strum, sing, and socialize. No other instrument allows the beginner to practice playing in the relaxed company of others and travel the world with it.
Or “play, pluck, and party”
Or “jam, jingle, and joviality”
As an ukulele enthusiast, I consider the existence of so-called ukulele clubs a golden perk of playing the ukulele. I don’t know of any clubs for other instrumentalists that welcome beginners to jam with more advanced players. Perhaps barbershop quartets or multi-instrumental jam sessions may allow for that, but how common are they really? The ukulele clubs’ tradition of group playing is a fun way to push myself to learn new chords and expand my repertoire. I can’t think of a better way to combine practice with socialization.
Continue reading “Ukulele Clubs: sing, strum, socialize”
Sunday service at Utrecht’s most famous dome church is a must-experience. There’s more music than church.
Until my friend Anne from Oahu raved about her Sunday service experience at the Dome Church in Utrecht, I never thought of attending church there. For one, I already go to the weekly Saturday afternoon free concerts in the church, after shopping for bread and cheese at the market. Sunday mornings are reserved for my triple workouts at my sports club: weight-lifting, aerobics, and yoga.
Out of curiosity I decided to attend this 10:30 am service today. Continue reading “Dome Church Sunday Service Domkerk Utrecht”
Years ago, as a composition student, I was asked to write music to make use of the huge space in St Nicolas Church in Utrecht. Pressed for time, I adapted a piece for baroque recorders and baroque violin. Only at the premiere did I see the greater possibilities of space and movement.
Continue reading “Spatial music: movement and sound in Nicolaikerk”