Today five virtuoso musicians met for the first time. Quartet San Francisco (QSF) was warming up in Gilman Chapel in Cedar Grove Cemetery. They had just driven up from Rhode Island where they were staying for a string workshop and concert at the university in their concert tour of Rhode Island, Boston, Lexington, and Martha’s Vineyard.
Robert Bekkers, who gave the inaugural concert of this new concert series, walked into the church and shook hands with them. He and Jeremy Cohen, founder and leader of QSF, had corresponded by e-mail after my introduction. One member of my ukulele pluck ensemble had told me about QSF, and after watching their videos, I was hooked.
Continue reading “When musicians meet, they play together”
With great expectations since I first received the score in early spring, I looked forward to the second performance of Robert Beaser‘s Chaconne. It’s a new work that I had studied and played in a large guitar orchestra for its premiere in April 2018. This time, Robert Bekkers, the conductor of our Boston Guitar Orchestra, played it with eight other musicians. Knowing that the nine guitarists rehearsed nearly every day of the Boston Guitar Festival confirmed my earlier belief that it was not an easy piece at all.
Continue reading “Robert Beaser conducts his Chaconne”
After playing the guitar, picking up the ukulele is dead easy. However, the other way around is not so easy. My first and last guitar ensemble experience in the summer of 1998 brought back sweet memories of playing Gaspar Sanz at an annual guitar festival in West Dean, England. If I could do it then, surely I can do it now.
Continue reading “From ukulele to guitar, joining a guitar orchestra”
Anne Ku reflects on the decisions and steps required to produce a concert, specifically, the first and second classical guitar concerts at Maui College.
It is entirely possible to make an event happen without being there. If we’re to deconstruct the steps to produce an event such as a classical guitar concert, we can see what it takes in the following phases. Continue reading “Producing an event without being there: classical guitar concert on Maui”
On Maui in June and July? Come to any of these free concerts!
Concerts are live musical performances where the artists and their audiences share the same space. It’s a BONUS to have the additions of the pre-concert talk and the post-concert reception to talk to the artists and the audience.
This July, Yale University’s Ben Verdery will once again come to Maui for his world-famous summer guitar masterclass, now in its 16th year. Three of his top students will give a free concert on our campus. This time, there will be a reception to follow the hour-long concert. Please see the details below — and SAVE THE DATES and SPREAD THE WORD! Continue reading “Free concerts on Maui in June and July, 2015”
Crowd-funding is THE way to go for new orchestras and new concerts for four reasons. Donate to Eureka! Orchestra for their debut concert in Boston.
Could crowd-funding be THE way to ensure orchestra concerts happen?
Or more specifically, to get new orchestras started?
Continue reading “Crowd funding Eureka! Orchestra”
Robert Bekkers plays Rodrigo’s Concierto de Aranjuez in his second DMA concert at the New England Conservatory in Boston.
Those of you who contributed to Robert Bekkers’ crowd-funding campaign to raise cash for his second doctoral music of arts concert in Boston probably wondered how it went.
Continue reading “Guitar Concerto Aranjuez”